Aurora Lights Gallery - art appraisals. art appraisals, artifacts, fossilized ivory, burried ivory, gold nugget, quartz gold, Machetanz, Laurence, Van Zyle, Goodale, Zeigler,Birdsall, Tlinget baskets, authe

ntic culturally correct items, gallery, collectibles, jewelry, fine art, artists, sales, sale, consignment, custom framing, prints, print framing, gold nugget jewelry, Silver and Quartz gold jewelry, interior design, Aurora Lights gallery, interior design

, Anchorage interior design, consultations, fine art appraisals, art appraisals, ivory, soapstone carvings, alaska ivory and sopastone, Alaska carvings, collectable medallions, alaska collectable medallions, Alaska fine art sales.

Estate Appraisals Gallery
Home Page

PO Box 4172
Boulder, CO 80306
Tel/Fax: 303-861-0976
ninya2@comcast.net

Denver location near
 the 16th Street Mall.
phone for directions.

Sign Guestbook

 

 

 

Art Appraisal

 
Fine Art Appraisal and stamped Valuations are available in the Lodo, downtown Denver area by a highly experienced Certified Fine Arts Appraiser, member AAA & IAS. If you do not have a current written, stamped and filed appraisal of your fine art, you could very likely NOT be reimbursed full value from your insurance carrier in the event of loss : fire, theft, felony, even smoke damage. One should also consider the need because of Divorce action, Estate Planning or after death when the probate court requests written appraisals on all fine Arts, or to simply pass forward your assets in a fair manner to several inheritors under the will. . Keep in mind that Ms. Greek has spent 18 years as an insurance agent and Licensed Financial Planner, before coming back to her first love, the ART industry. She will come to your home or office for the initial review of your art collection. Please feel free to call for an estimate of charges. These will be minor indeed compared to your possible LOSSES.

I myself (Niña Lee Greek) have an extensive background and education in the Art Industry. This includes Chouinard Art School in Los Angeles, (now California Institute of the Arts located in Valencia, CA); University of Missouri at Columbia, MO; Winona State College, at Winona, Minnesota; Plus William and Mary College, extension division in Norfolk, Virginia (while still in High School) I also dedicated a semester at the Juneau Douglas Museum studying Tlinget Haida culture, Art & artifacts. While a Gallery owner for 18 years in Alaska, I made many many trips around Alaska including Nome, Kotzebue, Fairbanks, Delta Junction, Sitka, Juneau-Douglas, Petersburg, Wrangell, Ketchikan for the expressed purpose of viewing Native Art & Artifacts, as well as purchasing for the Gallery in Anchorage. I have accrued 154 credit hours toward my Masters Degree in Fine Arts.

As a certified Appraiser, who specializes in American Native Art & Artifacts... with a particular interest in Alaska Native Art I have spent years buying & selling nearly all practicing Artists and artisans in Alaska, deceased & contemporary; Native or Caucasian. Because of my 7 1/2 years of Art School in many different regions of the U.S. I feel more than comfortable viewing & valuating most types of Fine Arts, including European.

An aside note by my assistant: Ms Greek's love of art and artisans has helped her gain commendable insight into matching people to their perfect choices in fine arts for their home or office. Her intuitive insight may exceed that of others in her field because her depth and breadth of knowledge plus traveling all over the US while doing appraisal work allows her a wider range of 'What is out there" . Remember, viewing art is food for the soul , she often says to me. All people are truly unique especially in their Art choices. Niña feels it is her highest calling to help a person find happiness in their selection of Fine Art . "One must understand a buyer, their desires, budget, and expectations" , she has told me on many occasions . Estate Appraisals Gallery has items for every budget from a mere $35.00 to several thousand.

Authentication Instructions:

1. Try to answer all questions in Parts I and II below; information should come from your own knowledge. If data comes from a document that you have viewed but cannot include a copy of, or from discussions with another individual , put that information in "quotation marks". Please do not guess.

2. You should prepare a separate Authentication Form for each of your prints, except, of course, for sets (portfolios) of prints.

3. We require five (if pertinent) photographs of your print:
a) the complete image, including frame
b) the signature (close-up)
c) the numbering (close-up)
d) the back of the piece if pertinent
e) a mid-range view to show brush strokes

4. If you have any relevant documents, such as Certificates of Authenticity, Invoices, original receipts of purchase, etc, please make copies and attach them with this form , or scan & e-mail them .

5. Please enclose a check or money order for the initial fee which we will discuss on the phone as we go along. Sometimes nothing, or sometimes a fair amount if there is agreement on work to be performed.

Please Note: You can submit photographs of the Piece (Pieces) which you are hoping to have Appraised. However, unless you do the photographs in the specific manner described following, they will be almost useless. Digital photos, unless done by a professional, invariably have reflections and shadows making a TRUE VIEW prohibitive. We can't see a thing, clearly. And clarity is absolutely imperative. The pixels are better with a standard Camera, but the same problems of reflections & shadows apply as above.

 It is, however, definitely cheaper to snail-mail me a CD composed by a professional photographer, rather than pay for travel expenses for myself;  or, barring that, travel expenses for yourself to bring the items here to Denver or Anchorage, whichever Gallery you reside nearer to.  Eventually, I will have to view the Pieces in questions IN THE REAL.  But, initially you would, no doubt, like an informed opinion (my best guess, if you will) as to IF these items are  VALUABLE ENOUGH to plan a "full on" Appraisal.  This is where the professionally done photographs are 100% required.

When hiring a photographer go to the best whom you can afford.  Some one with a store front location, rather than a friend, generally knows the follow requirements.  That individual has sufficient training and knowledge to have set himself up in business.  Additionally, If they are not right, he will do them over.

  1. Place the pieces on over large black felt or velvet... to delete any & all background information and  minimize reflections.
  2. Use the strongest light you can find, quartz lighting is good.  But DO NOT allow that light on your Fine Arts for more than a few minutes tops... avoid light damage, like the plague, especially on antique Pieces, photographs or water color Originals.  Lighting should be stabilized, not hand held, for sure.  Motion at the optimum moment is ruinous to your results.
  3. Stabilized Camera, as well.  You see why you need a professional photographer?
  4. 5 photos as described above.
  5. Having the photos large & semi-gloss or reproduced on a CD is fine, even preferable, as long as the file extension chosen by the photographer is one of standard use such as jpeg.

Authentication Form

Part I - Personal Information

Today’s date:

Name

Company
Street

City

State

ZIP

Tel.

Fax 

e-mail

 

Part II - Print Information

1. Title of Print / Portfolio:

2. Date you acquired it:

3. Numbers or letters in lower left, under image:

4. Wording, if any, below the image (other than the signature):
5. Height of plate mark or image:
6. Width of plate mark or image:
7. If portfolio, what other items are there:
8. Publisher:
9. Date of publication:
10. From whom acquired:


If your print is not framed, you can provide additional helpful information about its paper:

11.Height of paper:

12. Width of paper:
13. Edges of the paper:  Are they irregular or cut smooth
14.Watermark: A watermark is a brand name or logo put into the paper by its manufacturer. It can be seen by holding the print up to a light; a table or floor lamp is more practical than overhead ceiling lighting. The watermark is usually at one of the corners, or (rarely) at one of the edges of the paper. If the paper was milled in 1980 or after, there may be an additional tiny mark, right at the edge of the paper -- an infinity mark (looks like the number 8 turned on its side). Please make a freehand sketch of the watermark in the space below (it does not have to be to scale.)

15. Blind Stamps: Blind stamps (also known as embossments, chops, or dry stamps), are made by pressing a metal mold into the paper; a notary’s seal is an example. The stamps used on prints are not inked, and can be seen to stand above the paper’s surface. They usually contain the publisher’s logo, or in some instances, the printer’s.

If your print contains a blind stamp, it can usually be found in the lower right or lower left corner of the print; hold the paper at an angle to a light source, and make a sketch of what you are able to see here:

Checklist of materials you need to send the Archives:

 1. Complete Sections I and II above
 2. Enclose at least three photographs of your print
 3. Attach copies of documents
 4. Mail your check or money order for $100.00

PO Box 4172
Boulder, CO 80306
Tel/Fax: 303-861-0976
ninya2@comcast.net

 

 
 

back to HOME PAGE

Ninya Lee Greek
Estate Appraisals Gallery,1630 Clarkson St. Suite #100, Denver, CO 80218
Phone / Fax: 303-861-0976, Cell: 720-530-6752